Last summer, I bought the YA novel Forbidden, mostly out of curiosity, but then didn’t have the guts to read it:

She is pretty and talented - sweet sixteen and never been kissed. He is seventeen, gorgeous, and on the brink of a bright future. And now they have fallen in love. But... they are brother and sister.

First, there was the Ewwww factor, which made me wonder why I bought the book in the first place. Second, based on the full blurb, I knew there wasn’t going to be a happily-ever-after ending, and those are the ones I prefer.

But last week I decided to finally read the book, and ended up loving it. The problem is I couldn’t stop thinking about it once I was finished. I started to wonder, when I wasn’t sobbing, what made it one of my favorite books, and how could I write such a brilliant story, too. A story that left me an emotional wreck long after I finished reading it. So, I analyzed it with the hopes of applying what I learned to future projects.

Characters You Ache For

This book is told from both the point of view of Lochan and Maya. They are the oldest of five children (the youngest is only five years old). Their father left to be with another woman when Lochan was twelve years old. Their mother turned to alcohol and slowly started to distance herself from their lives. And at one point in the book, she is no longer living with the children. So right away, you empathize with the characters due to the strong backstory.

In addition to raising their siblings, Lochan and Maya do everything possible to ensure social services don’t find out about their situation. If it’s discovered their mother has abandoned them, then their family will be torn apart. This powerful backstory explains why Lochan and Maya never felt like they were siblings, and it provides the motivation behind what happens in the climax. Like the two characters, you don’t see them as sibling, but rather two individuals who fell in love.

Great Writing

But the void yawns open like a cavern inside my chest. I feel so damn lonely all the time. Even though I’m surrounded by pupils, there is this invisible screen between us, and behind the glass wall I am screaming—screaming in my own silence, screaming to be noticed, to be befriended, to be liked.(Lochan’s pov)

The writing in Forbidden is beautiful and the emotion intense. Lochan is extremely shy, to the point that he has anxiety attacks when called on in class. This means he’s treated like the class weirdo. You feel his pain, which makes you want to keep reading.

The writing also helps the reader feel Maya’s and Lochan’s pain as they struggle with their love for each other when they know it’s wrong, and when they make sacrifices to keep their family together, while most of their peers are out having fun and being normal teens. And you feel their pain when their secret is discovered. The writing is rich with symbolism and imagery but is true to who they are as individuals. It’s compelling and makes for a great page turner—even when you’re afraid to turn the next page.

Do you strive to write a book that makes people think about it long after they’ve finished reading it? Have you analyzed a book to see how the author achieved this goal?

Part Two of the post will be go up Wednesday. And then you'll see why the book affected me.

Last week, I watched Sleeping with the Enemyas research for one of my WIPs. In it, “ayoung woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband”.

During one scene, the abusive husband hits Laura (Julia Roberts) and she falls to the floor. Laura pushes herself up to a sitting position, her long red hair spilling around her shoulders, legs bent to the side. At that moment, she reminds me of Ariel from The Little Mermaid. When Laura tries to stand, after her husband leaves, her legs are shaking so badly, she looks like Ariel after the sea witch turned her into a human, and Ariel takes her first steps into the new world. In Sleeping with the Enemy, this image is symbolic foreshadowing. What her husband doesn’t know is that Laura has been learning to swim, to overcome her fear of the water. She is a mermaid, so to speak. Soon after, she fakes her death in a drowning accident and escapes to a new life.

That evening, after Laura’s husband hits her, he gives her red roses and red lingerie. They are supposed to represent his “love”, but they really symbolize the physical and emotional abuse (blood, danger) she suffers at his hands.

After Laura escapes, she takes a Greyhound bus to a small town in Iowa. As it arrives, we see Laura looking out of the bus window and the reflection of the American flag waving in the breeze. The American flag symbolizes freedom and the home of the brave. A perfect symbol for Laura’s courage and her new life.

Movies are a great place to learn about symbolism, since the director, writers, set designers look for ways to insert it. Most of the time, we don’t notice it at a conscious level. It impacts us subconsciously. But when done well, it adds to the emotional satisfaction we get from watching the movie.

Do you watch for symbolism in movies and books? Do you pay attention to it in your stories?

As writers, we’re constantly reminded to read outside our genre(s). Certain genres are character-based while others focus on plot. If you read predominantly plot-based stories, you’re missing out on an opportunity to see how others develop characters readers love to connect with. Romance, young adult, and horror are a few genres that rely heavily on emotions. Thrillers and suspense are perfect examples for solid pacing. By reading other genres, it will help you further develop your craft, plus they might trigger ideas to use within your stories.

But what about craft books on writing? Have you explored books that don’t focus solely on writing novels and short stories?

We’re all familiar with Writer’s Digest. My bookshelves are crammed full of craft books from the publisher (yeah, I have a little addiction issue). But last year, I discovered a publisher most of us aren’t familiar with—unless you’ve read Save the Cat! by Blake Synder. Michael Wiese Production publishes tons of books that focus on TV and film, and many of these deal with topics relevant to novelists.

The following are books that now live on my bookshelf (all which I love):

Save the Cat! The Last Book on Screenwriting That You’ll Ever Need by Blake Synder (I recently ordered the sequel Save the Cat! Strikes Back: More Trouble for Screenwriters to Get into ... and Out of at Elana Johnson’s recommendation. It's in the mail.)

(Seriously, how can you resist this cover????)

Story Line: Finding Gold in Your Life Story by Jen Grisanti

Writing Subtext: What Lies Beneath by Dr. Linda Seger

Symbols, Images, Codes: The Secret Language of Meaning in Film, TV, Games, and Visual Media by Pamela Jaye Smith

Inner Drives: How to Write & Create Characters Using the Eight Classic Centers of Motivation by Pamela Jaye Smith

Have you read any craft books geared toward screenwriters?

(So what does Brad Pitt have to do with this? Nothing. But it got you to look, right? And maybe if you study these books and take up writing screenplays, you might just meet him when you pen his Oscar winning movie. Hey, you never know.)

On Monday, I talked about weaving symbolism into your story. No matter how small the detail, symbolism can enrich your writing.

In the post, I mentioned the book Symbols, Images, and Codes: The Secret Language of Meaning in Film, TV, Games, and Visual Media by Pamela Jaye Smith. I recently discovered this book and love it. If you’re looking for a deep book on the meaning of symbolism in our culture (or anything along this line), this book isn’t it. If you’re looking for a reference book to help you pull more symbolism into your story, this is what you’re looking for. Or at least it’s a good starting point.

Pamela divides the book into twenty-three categories. These include:

Astronomy and Astrology
Composition (i.e. the concept photographers, cinematographers, artists consider, and you will too after reading this section)
Numbers
Codes
Earth
Air
Fire
Water
Animals
Color
Anatomy
Clothes
Architecture

The book begins with a brief introduction on how symbols, images, and codes work. Each chapter (category) is then broken down according to:

• What the symbol means. For example, air means freedom, spirit, superhuman power, and understanding.

• How it’s been used in history, myth, and contemporary times.

• Examples found in movies, along with explanations as to how it worked in the movie.

• How to use it in your story. There are all kinds of cool ideas listed. Some are more appropriate for certain stories verses others.

• Written descriptions. Words that are great for creating powerful prose and imagery.

• Cinematic techniques. Not relevant to most of us, but this section is really cool too.

No matter what genre you write, this book is a great resource.

<<<3

If you want to know more about writing symbolism in fiction, I have a very special guest post coming up in a few weeks. This author KNOWS about symbolism.

(How’s that for suspense?)

One way to create a richer story is by weaving in symbolic subtext. This is also a great way to reveal the story’s theme.

Subtext works both at a conscious and unconscious level. When we read a book or watch a movie, some symbols will jump out at us, especially if the creators have done a good job drawing your attention to it. With other symbols, you won’t stop to analyze it. For example, if the scene takes place in a room with green walls, you won’t be thinking that the director wanted to reveal the subtext of life. But you can guarantee someone behind the scenes purposely picked that color because of what it symbolized and not because it was her favorite color.

In the first season of Criminal Minds, there was one episode (Compulsion) in which fire and the number three were important elements. Among other things, fire represents anger and divinity (Symbols, Images, Codes: The Secret Language of Meaning in Film, TV, Games, and Visual Media by Pamela Jaye Smith). It was eventually determined that the unsub was starting fires based on the need to test her victims. If they survived the fire, they were free of the wrath of God. The number three (or rather the triad of the number three) would set off the unsub. The creators could have randomly selected any number, but three (like other numbers) has a symbolic meaning. In Christianity, it represents the Father, the Son, and the Holy Ghost. As the unsub lined up the three bottles of flammable liquid, before dousing her three victims with them, she made reference to the bottles as the Father, the Son, and the Holy Ghost.

In the book Where the Heart Is, author Billie Letts used a tree to represent life and growth. Pregnant seventeen-year-old Novalee is abandoned by her boyfriend at a Wal-Mart store. With nowhere to go (since her mother ran away with a guy many years ago), she secretly moves into the store. A woman mistakes her for a young girl she once knew and gives Novalee a Welcome Wagon gift of a buckeye tree. As can be expected, the tree starts to die. Novalee tries to return it to the woman, who suggests they plant it in her garden, but only if Novalee comes by regularly to take care of it. This is the turning point in Novalee’s life. These are the first acts of kindness she has experienced in a while, and under the guidance of Ruth Ann, Novalee turns her life around. This is only one example of what the tree symbolized in the story.
In the second example, the meaning behind the symbolism was obvious from near the beginning of the book, and was woven throughout. In the first example, it was only obvious at the end of the show, when the Behavioral Analysis Unit solved the crimes.

The two resources on symbolism for writers I recommend are Symbols, Images, Codes: The Secret Language of Meaning in Film, TV, Games, and Visual Media by Pamela Jaye Smith (I’ll be reviewing it on Wednesday) and the blog The Bookshelf Muse.

Have you woven symbolism into your story to highlight theme and to be use as subtext?